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Vous avez sélectionné:
Jazz, The Language of Music for Trumpet
Partitions à imprimer
46 partitions trouvées
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Jazz, The Language of Music - for Trumpet
Jazz, The Language of Music - for Trumpet
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Trompette
#
AVANCÉ
#
Tony Benade
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Jazz, The Language of Music -
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Tony Benade
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.809105 Composed by Tony Benade. Instructional,Jazz. Individual part. 191 pages. Tony Benade #3504451. Published by Tony...
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Trumpet Solo - Level 5 - SKU: A0.809105 Composed by Tony Benade. Instructional,Jazz. Individual part. 191 pages. Tony Benade #3504451. Published by Tony Benade (A0.809105). Jazz, The Language of Music is a comprehensive study that is presented in three parts. Each section contains the essential elements the student of jazz must know which are The Fundamentals of Jazz Theory,Common Chord Progressions of Jazz Standards and Creating Jazz Phrases. This is for the individual who is very serious about learning the art of improvising. It begins with the necessary musical theory needed to play jazz followed by the common chord progressions that would be encountered in the jazz standards. And finally, the actual process of creating jazz phrases. This method was created by a jazz musician who has performed and studied jazz for many years. It is a study that may take some time but if you wish to learn this subject in a manner in which it was performed by the jazz greats of yesteryear, then you must dedicate yourself to the task at hand. Achieving your goal will depend on how much you put into your effort. For a short time, the introductory price will be $40.00 dollars. That is 20% less than buying the above mentioned books individually. The normal price will be $45.00.
$45.00 ≈
42.00€
The Easter Bonnet Bop for Trumpet Duet
The Easter Bonnet Bop for Trumpet Duet
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2 Trompettes (duo)
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INTERMÉDIAIRE
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David McKeown
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The Easter Bonnet Bop for Trum
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David McKeown
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SheetMusicPlus
Trumpet Duet Trumpet - Level 3 - SKU: A0.591402 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score. 3 pages. David McKeown #6293695. Publishe...
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Trumpet Duet Trumpet - Level 3 - SKU: A0.591402 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score. 3 pages. David McKeown #6293695. Published by David McKeown (A0.591402). The Easter Bonnet Bop is a fun and original duet written by David McKeown for two Trumpets. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.79€
The Easter Bonnet Bop for Trumpet and Trombone Duet
The Easter Bonnet Bop for Trumpet and Trombone Duet
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Trompette, Trombone (duo)
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INTERMÉDIAIRE
#
David McKeown
#
The Easter Bonnet Bop for Trum
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591401 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.591401 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293693. Published by David McKeown (A0.591401). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Trumpet and one Trombone. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.79€
The Easter Bonnet Bop for Trumpet and Clarinet Duet
The Easter Bonnet Bop for Trumpet and Clarinet Duet
#
Clarinette, Trompette (duo)
#
INTERMÉDIAIRE
#
David McKeown
#
The Easter Bonnet Bop for Trum
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.591398 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts....
(+)
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.591398 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293685. Published by David McKeown (A0.591398). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Trumpet and one Clarinet. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.79€
The Easter Bonnet Bop for Trumpet and Tenor Saxophone Duet
The Easter Bonnet Bop for Trumpet and Tenor Saxophone Duet
#
Trompette, Saxophone (duo)
#
INTERMÉDIAIRE
#
David McKeown
#
The Easter Bonnet Bop for Trum
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.591400 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and...
(+)
Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.591400 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293689. Published by David McKeown (A0.591400). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Trumpet and one Tenor Saxophone. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.79€
The Easter Bonnet Bop for Trumpet and Alto Saxophone Duet
The Easter Bonnet Bop for Trumpet and Alto Saxophone Duet
#
Trompette, Saxophone (duo)
#
INTERMÉDIAIRE
#
David McKeown
#
The Easter Bonnet Bop for Trum
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - SKU: A0.591399 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and ...
(+)
Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - SKU: A0.591399 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293687. Published by David McKeown (A0.591399). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Trumpet and one Alto Saxophone. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.79€
The Girl from Ipanema for Solo Trumpet & Piano
The Girl from Ipanema for Solo Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Various
#
Keith Terrett
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The Girl from Ipanema for Solo
#
Music for all Occasions
#
SheetMusicPlus
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions...
(+)
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.
The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.
Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.
Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.
Helô Pinheiro, the woman who inspired the song, in 2006.
The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.
During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.
The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.
In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone?it is a gift of life in its beautiful and melancholic constant ebb and flow."
Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.
The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
$7.99 ≈
7.46€
The Easter Bonnet Bop for Flute and Trumpet Duet
The Easter Bonnet Bop for Flute and Trumpet Duet
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Flûte, Trompette (duo)
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INTERMÉDIAIRE
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David McKeown
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The Easter Bonnet Bop for Flut
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - SKU: A0.591381 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 ...
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - SKU: A0.591381 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293651. Published by David McKeown (A0.591381). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Flute and one Trumpet. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.79€
The Easter Bonnet Bop for Clarinet and Trumpet Duet
The Easter Bonnet Bop for Clarinet and Trumpet Duet
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Clarinette, Trompette (duo)
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INTERMÉDIAIRE
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David McKeown
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The Easter Bonnet Bop for Clar
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.591374 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts....
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Instrumental Duet Clarinet,Instrumental Duet,Trumpet - Level 3 - SKU: A0.591374 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293635. Published by David McKeown (A0.591374). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Clarinet and one Trumpet. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.79€
The Easter Bonnet Bop for Trumpet and Tenor Horn Duet
The Easter Bonnet Bop for Trumpet and Tenor Horn Duet
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David McKeown
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The Easter Bonnet Bop for Trum
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.591397 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and part...
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - SKU: A0.591397 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293683. Published by David McKeown (A0.591397). The Easter Bonnet Bop is a fun and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. The Easter Bonnet Bop is one in a series of ten Easter-themed duets each written in a different American dance style. The origins of the word Bop lie in the scat language of the ‘40s; Bop quickly became associated with the fast Bebop jazz of the period as musicians vocalised the offbeat rhythms of their angular melodies. Later in the ‘50s when Rockabilly and Rock’n’Roll first appeared, Bop was used to describe both the dance moves and the dance venues themselves. The Easter Bonnet Bop is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Bonnet Bop is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99 ≈
2.79€
Essential Jazz Lines: In the Style of Clifford Brown-E Flat
Essential Jazz Lines: In the Style of Clifford Brown-E Flat
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Jazz
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Corey Christiansen
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Essential Jazz Lines: In the S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Saxophone (alto) - Intermediate - SKU: M0.20020BCDEB Composed by Corey Christiansen. Technique, Theory and Reference. Essential Jazz Lines. Jazz. E-book...
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Saxophone (alto) - Intermediate - SKU: M0.20020BCDEB Composed by Corey Christiansen. Technique, Theory and Reference. Essential Jazz Lines. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20020BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20020BCDEB). ISBN 9781610651042. 8.75x11.75 inches.Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along audio. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language.
$14.99 ≈
13.99€
Two Songs for Solo Trumpet
Two Songs for Solo Trumpet
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Trompette
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AVANCÉ
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Alan Matheson
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Two Songs for Solo Trumpet
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Gordon Cherry
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1047904 Composed by Alan Matheson. Blues,Jazz. Individual part. 5 pages. Gordon Cherry #652349. Published by Gordon Che...
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Trumpet Solo - Level 5 - SKU: A0.1047904 Composed by Alan Matheson. Blues,Jazz. Individual part. 5 pages. Gordon Cherry #652349. Published by Gordon Cherry (A0.1047904). Two Songs for Solo Trumpet by Alan Matheson are tributes to great jazz artists who are inspirations to him; Bix Beiderbecke and Woody Shaw. Here is a summary of the composer's own words about these two outstanding movements: The first song For Bix Beiderbecke is a blues-based, elegiac salute to one of the first lyrical jazz brass players who also created a unique musical language in his short life by combining his love of jazz (especially that of Louis Armstrong) with his interest in the music of the Impressionists such as Debussy and Ravel. The second song For Woody Shaw pays a tribute to one of the masters of modern-jazz playing. In his compositions and improvisations, Shaw was very fond of using large intervals (such as minor and major 7ths) along with melodic lines based on the perfect 4th. I have included this sound in the melodic lines of this movement along with some hybrid scales to reflect Woody Shaw's harmonic adventurousness. These two songs total about 5 minutes in length and are appropriate for advanced performers.
$17.50 ≈
16.33€
SUITE FOR TRUMPET AND PIANO
SUITE FOR TRUMPET AND PIANO
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Gabriel Ruiz-Bernal
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SUITE FOR TRUMPET AND PIANO
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.893962 Composed by Gabriel Ruiz-Bernal. Contemporary. Score and part. 30 pages. Gabriel Ruiz-Bernal #6326419. Publishe...
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Piano,Trumpet - Level 4 - SKU: A0.893962 Composed by Gabriel Ruiz-Bernal. Contemporary. Score and part. 30 pages. Gabriel Ruiz-Bernal #6326419. Published by Gabriel Ruiz-Bernal (A0.893962). First movement. Maestoso: Written in a language that travels between soaring trumpet sections in quartal and quintal harmonies, to a very melodic section in which the piano provides a flowing accompaniment for the soloist.Level of difficulty for the trumpet: IntermediateLevel of difficulty for the piano: High intermediate​Approximate length: 2 minutes, 30 secondsSecond movement: Andante: A gentle piece with traditional language and style and very melodic.The piano provides a constant flowing accompaniment for the soloist.Level of difficulty for the trumpet: Low intermediateLevel of difficulty for the piano: Low intermediate​Approximate length: 2 minutesThird movement: Presto: Very energetic, rhythmic, filled with jazz elements and virtuoso passages that showcase technique and interpretation abilities, this is a piece for the advanced player. Very fun to play, as the piano constantly interacts with the trumpet providing responses and a constant drive toward the grand ending.Level of difficulty for the trumpet: Very advancedLevel of difficulty for the piano: Very advanced​Approximate length: 2 minutes
$7.99 ≈
7.46€
New Blue Shoes
New Blue Shoes
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Ensemble Jazz
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FACILE
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Brad Esbensen
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Brad Esbensen
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New Blue Shoes
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.774330 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts. 78 pages. Brad...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.774330 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts. 78 pages. Brad Esbensen Music Services #3366933. Published by Brad Esbensen Music Services (A0.774330). NEW BLUE SHOES is an original composition for big band and featured as a set piece for the 2003 Australian Academy Festival of Music C Grade Jazz Ensemble division. This arrangement will work equally with a reduced ensemble, as indicated on title page of the score. The arrangement begins with a unison statement of the head from the trumpet section with the sax section taking it up later in the arrangement. Rhythm section parts are fully notated to assist younger players. There is solo space for any trumpet, trombone, and sax with changes and written solos included on every part in the appropriate section of the arrangement. Use this space to feature soloists in the group and encourage all to try their hand at improvising. Encourage students to listen to the great jazz players to help them learn the language of jazz and develop their own ideas. Sheets containing suggested guitar chord shapes chart are also included. www.bemus.com
$60.00 ≈
56.00€
It Don't Mean A Thing (If It Ain't Got That Swing)
It Don't Mean A Thing (If It Ain't Got That Swing)
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Joseph Hasper
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It Don't Mean A Thing
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734676 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734676 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and parts. 34 pages. Joseph Hasper #2059795. Published by Joseph Hasper (A0.734676). Jazz combo arrangement for Trumpet, Alto Sax, Trombone and Rhythm Section (Guitar, Piano, Bass, and Drums). Comes with alternate or substitute parts so that you can use another Trumpet (or Clarinet) in place of Alto Sax, or Tenor Sax in place of Trombone. Includes a full score and all parts. It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 Duke Ellington composition now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra on February 2, 1932. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the swing era by three years. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.
$12.99 ≈
12.12€
LE PETIT NEGRE – TRUMPET & PIANO
LE PETIT NEGRE – TRUMPET & PIANO
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Trompette
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AVANCÉ
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Classique
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Claude Debussy
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BRIAN W
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LE PETIT NEGRE – TRUMPET
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EMK Music
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SheetMusicPlus
Piano,Trumpet - Level 5 - SKU: A0.834106 Composed by Claude Debussy (1862-1918). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards. Score and...
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Piano,Trumpet - Level 5 - SKU: A0.834106 Composed by Claude Debussy (1862-1918). Arranged by BRIAN W. COPPING. 20th Century,Concert,Standards. Score and part. 8 pages. EMK Music #6559977. Published by EMK Music (A0.834106). Great for exams and Eisteddfods, Le Petit Negre is taken from Debussy’s ‘Children’s Corner’ , a collection of pieces for Piano that he dedicated to his daughter, Claude-Emma, after her death at the age of fourteen. Debussy used language that was in common usage at the time, but some of his titles, including this one, now sound unavoidably racist. In addition to syncopation, Debussy also uses other techniques in this piece that have been adopted by jazz musicians, for example, pentatonic scales and chromaticism.
$9.95 ≈
9.29€
It Don't Mean A Thing (If It Ain't Got That Swing)
It Don't Mean A Thing (If It Ain't Got That Swing)
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Duke Ellington
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Joseph Hasper
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It Don't Mean A Thing
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734674 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.734674 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and parts. 51 pages. Joseph Hasper #2059717. Published by Joseph Hasper (A0.734674). Jazz combo arrangement for Flute, Sax Section (2 Alto Saxes, 2 Tenor Saxes, Baritone Sax) and Rhythm Section (Piano, Bass, and Drums).Includes a full score and all parts. It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 Duke Ellington composition now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra on February 2, 1932. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the swing era by three years. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.
$12.99 ≈
12.12€
Dark Eyes (Les Yeux Noirs)
Dark Eyes (Les Yeux Noirs)
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Traditional
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Dan Jones www
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A
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Dark Eyes
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DanJonesGuitarist
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Piano,Tenor Saxophone,Trumpet,Ukulele,Violin - Level 1 - SKU: A0....
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Large Ensemble Alto Saxophone,Bass Guitar,Cello,Clarinet,Double Bass,Flute,Hand Percussion,Piano,Tenor Saxophone,Trumpet,Ukulele,Violin - Level 1 - SKU: A0.851210 Composed by Traditional (Russia). Arranged by Dan Jones www.danjonesguitarist.com. Folk,Instructional,World. Score and parts. 20 pages. DanJonesGuitarist #6688129. Published by DanJonesGuitarist (A0.851210). Dark Eyes (Les Yeux Noirs) Arranged for Easy Classroom Ensemble by Dan JonesYour download includes a full score and all parts in notes and, for guitar/ukulele and bass, chords and TAB. There is some debate as to whether the tune to Dark Eyes (Les Yeux Noirs) is a traditional melody, or a Russian cabaret song. Whichever the case, it is a tune which has captured the imagination of musicians for many years. It was made famous in the 20th Century by the great Belgian jazz guitarist Django Reinhardt. Several sets of lyrics have also been added to the tune, in many languages. The instrumentation is:(1) The melody for C instruments (such as flute)(2) An easy part for C instruments(3) The same melody for B flat instruments(4) The same easy part for B flat instruments(5) The same melody for E flat instruments(6) A similar easy part for E flat instruments(7) A single-line percussion part(8) A piano part which could be played by a pupil (approximately ABRSM Grade 3) or teacher(9) A ukulele part with chords, the melody and TAB(10) A guitar part with chords, the melody and TAB(11) A bass part in notes and TAB. This part could also be played by a cello, bassoon, trombone or any low-range instrument(12) The melody written in a higher octave for more-advanced players (approx. ABRSM Grade 3-4).In the absence of some of the above, the arrangement is still effective due to the doubling of the melody and all inner parts. The bass part can also be omitted as the piano plays appropriate root notes, and the guitar plays chords. There is complete flexibility according to the resources at your disposal.A YouTube video with a demonstration video and audio track will be available at www.danjonesguitarist.com and on YouTube. The link will be published at sheetmusicplus.com soon.I hope that you find this arrangement useful. If you have suggestions for other pieces and melodies, please do contact me at www.danjonesguitarist.com.
$9.95 ≈
9.29€
Summertime Solos & Famous Jazz Songs - Bb Treble Clef with piano accompaniment
Summertime Solos & Famous Jazz Songs - Bb Treble Clef with piano accompaniment
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Accompagnement Piano
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INTERMÉDIAIRE/AVANCÉ
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Adam Hutchins Ltd
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Summertime Solos & Famous
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Adam Hutchins Ltd
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SheetMusicPlus
Small Ensemble Baritone Saxophone,Euphonium,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.942493 Arranged by Adam Hutchins Ltd. 20th Century,Blue...
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Small Ensemble Baritone Saxophone,Euphonium,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.942493 Arranged by Adam Hutchins Ltd. 20th Century,Blues,Jazz,World. Score and parts. 49 pages. Adam Hutchins Ltd #6168605. Published by Adam Hutchins Ltd (A0.942493). Step into the language of these jazz classics with some great solos over the chords and some well known themes. Expand your musical vocabulary and enjoy being able to solo. Why not have a go at developing your own ideas too?Suitable for intermediate to advanced players.Summertime (solo)It Had To Be You (theme & solo)Avalon (theme & solo)When The Saints Go Marching In (theme & solo)Fly Me To The Moon (solo)Blues For Big Al (theme & solo)Billy Bailey Won’t You Please Come Home (theme & solo)Tea For Two (theme & Solo)
$12.99 ≈
12.12€
Cotton Tree
Cotton Tree
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Ensemble Jazz
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FACILE
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Jazz
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Brad Esbensen
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Brad Esbensen
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Cotton Tree
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.774415 Composed by Brad Esbensen. Arranged by Brad Esbensen. Jazz. Score and Parts. 81 pages. Brad Esben...
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Jazz Ensemble Jazz Ensemble - Level 2 - SKU: A0.774415 Composed by Brad Esbensen. Arranged by Brad Esbensen. Jazz. Score and Parts. 81 pages. Brad Esbensen Music Services #5359545. Published by Brad Esbensen Music Services (A0.774415). COTTON TREE is an original composition for big band and featured as a set piece for the 2004 Australian Academy Festival of Music B Grade Jazz Ensemble division. The arrangement begins with a short intro from the rhythm section and is mostly written with a Basie feel in mind. The rhythm section parts are fully notated to assist younger players.Solo space is included for Trumpet 4, Bari Sax, and Piano with chord changes and optional written solos included on the parts. Encourage students to listen to the great jazz players to help them learn the language of jazz and develop their own ideas.I hope you enjoy performing this piece!www.bemus.com.au
$60.00 ≈
56.00€
Dixieland delights - 10 jazz etudes - Bb instruments
Dixieland delights - 10 jazz etudes - Bb instruments
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Instruments en Sib
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INTERMÉDIAIRE
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Jazz
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Methodes Etudes
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Darren Lloyd
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Dixieland delights - 10 jazz e
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Darren Lloyd
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SheetMusicPlus
Composed by Darren Lloyd. Instructional, Jazz. Score and parts. 22 pages. Darren Lloyd #5373145. Published by Darren Lloyd...
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Composed by Darren Lloyd. Instructional, Jazz. Score and parts. 22 pages. Darren Lloyd #5373145. Published by Darren Lloyd
Dixieland delights features 10 popular numbers from this fantastic period of music. The etudes include - Ain't misbehaving, All of me, Big Butter & Egg man, I can't give you anything but love, Just a closer walk with thee, Stardust, Struttin' with some babecue, The Sehik of Araby, When the Saints go marching in & When you're smiling! All the etudes have 2 choruses except Stardust, which has 1, When the Saints and Just a closer walk with thee have 4. Although the etudes are written over the chord changes of Dixieland classics, the etude itself is written to challenge intermediate players, using a good variety of jazz language. This book would suit Bb Trumpet, Clarinet, Treble clef Trombone, Soprano sax & Tenor sax (may need to transpose small sections into a more comforstble playeying range). Check out www.jazzetudes.net.
$9.99 ≈
9.32€
"Rejoice Greatly, o my Soul" for Brass Quintet
"Rejoice Greatly, o my Soul" for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Louis Bourgeois
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Cristiano Vecchi
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"Rejoice Greatly, o my So
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Cristiano Vecchi
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.963303 Composed by Louis Bourgeois. Arranged by Cristiano Vecchi. Contemporary,Instructional,Jazz,Sacred,Standards. S...
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Brass Ensemble - Level 3 - SKU: A0.963303 Composed by Louis Bourgeois. Arranged by Cristiano Vecchi. Contemporary,Instructional,Jazz,Sacred,Standards. Score and parts. 8 pages. Cristiano Vecchi #4737029. Published by Cristiano Vecchi (A0.963303). A completely brand new remake of this famous Choral, several times arranged by J.S.Bach.The musical language uses jazz chords and scales, but also takes the lesson from the Neo-Classical music (Stravinsky, Hindemith, Honegger, Milhaud).
$3.99 ≈
3.72€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.02€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
13.02€
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Jazz, The Language of Music for Trumpet
